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Remembering the past, looking towards the future

April 11, 2011 by John L. Dengler

James Balog (center), an award winning nature and environmental photojournalist, answers questions from photojournalism students in the gallery of the Angus and Betty McDougall Center for Photojournalism Studies at the Missouri School of Journalism in Columbia, Missouri. Balog was at the university to receive a Missouri Honor Medal In recognition of three decades of using the photographic image to help the public understand the impact of environmental change. Balog is the founder and director of the Extreme Ice Survey (EIS) and the Earth Vision Trust. (John L. Dengler)

It’s been a busy couple of days. First, my wife Carol received her Governor’s Award for Excellence in Teaching in Jefferson City, then it was up to Columbia to the Missouri School of Journalism for the dedication of the Angus and Betty McDougall Center for Photojournalism Studies, and the Cliff and Vi Edom Photo Lab. While I spoke briefly on the friendship that Carol and I had with the McDougalls at the dedication ceremony, photo editor veteran Rich Clarkson delivered an insightful keynote tribute to Angus and Betty McDougall, Cliff and Vi Edom and Brian Lanker.

Related Post

Remembering Angus and Betty McDougall

It was exciting to see the McDougall Gallery packed with people for the formal opening. Currently, the work of Angus McDougall is on display. The exhibit, curated by Jim Curley, comprises of vintage prints from McDougall’s career at the Milwaukee Journal and International Harvester. For information on upcoming exhibits, contact McDougall Center for Photojournalism Studies Director, David Rees.

The center and lab dedication was followed by a day of presentations of POYi and CPOY winners in multimedia. New media guru Brian Storm of MediaStorm delivered an out of the park presentation on how to do multimedia right. While I’ve always been a believer in multimedia (even before it was electronic!), no one, until Brian could make the case to me that there was a workable business model for photographers. Brian’s talk covered everything including why you should want to use new media publishing for greater audience reach, how to tell stories through multimedia, how to get them published by leveraging social media, and a workable business strategy. It’s worth your time and effort if you ever have the opportunity hear him speak. I simply loved the idea of how he creates online auctions for the licensing of MediaStorm projects (creating a race to the top for pricing, instead of the race to the bottom seen today in photo agency negotiations), and using technology to create your own media viewer so you can let your work go viral, yet control where it appears along with the ability to collect 100% from pre-rolls. These were just a few of his insights. His takeaway piece of advice to the students was “Don’t be an ass-hole.” While it was said somewhat tongue in cheek, he was serious. The photojournalism community is relatively small. Bad karma WILL come back to bite you.


ABOVE: James Balog (center), an award winning nature and environmental photojournalist, answers questions from photojournalism students in the gallery of the Angus and Betty McDougall Center for Photojournalism Studies at the Missouri School of Journalism in Columbia, Missouri. Balog was at the university to receive a Missouri Honor Medal In recognition of three decades of using the photographic image to help the public understand the impact of environmental change. Balog is the founder and director of the Extreme Ice Survey (EIS) and the Earth Vision Trust. The visit by environmental photojournalist James Balog to the McDougall Center for Photojournalism Studies last fall is just one example of how photojournalism students at the Missouri School of Journalism will be able to interact and view the work of some of the best photojournalists in the world. The Center’s purpose “is to preserve for archival, research and educational use collections of photographs by newspaper, magazine and documentary photographers. It establishes the Missouri Photojournalism Archive, providing educational programming from the archive of Angus McDougall and other individual photographers, while sustaining and expanding educational efforts of existing Missouri programs, POYi (Pictures of the Year International), CPOY (College Photographer of the Year), MPW (Missouri Photo Workshop).

Bald Eagle love?

February 14, 2011 by John L. Dengler

Bald eagles (Haliaeetus leucocephalus) sit on the bank of the Chilkat River in the Alaska Chilkat Bald Eagle Preserve near Haines, Alaska. One of the bald eagles extends his one wing behind another bald eagle as it sits on a log. During late fall, bald eagles congregate along the Chilkat River in the Alaska Chilkat Bald Eagle Preserve to feed on salmon in what is believed to be the largest gathering of bald eagles in the world. (John L. Dengler)

Before I start this posting, I need to go on record as saying I really dislike the reading of human behavior into critter photos. It makes my teeth itch to anthropomorphize wildlife photography. I’m not sure what’s come over me today, though. I guess it must be Valentine’s Day, I can’t help myself.

Photo Gallery

Images of bald eagles, Chilkat River, Alaska

A bald eagle pair are loyal to each other. Unless its companion dies, or they are unable to reproduce, they mate for life. Bald eagles become old enough to breed when they are four to five years old often returning to the area where they were born to reproduce. Breeding season in Alaska is typically from late March to early April. Courtship involves elaborate aerial displays of chasing, and locking talons in a free fall, but contrary to widespread belief they do not copulate in these airborne rituals.

They build nests (aeries) that are biggest tree-nests of birds in the world, typically being five feet wide and two feet deep. The nests can grow in size as the eagle pair will return adding new building materials to the nest each year. Wildlife photographers need to be very careful when photographing eagles in a nest. If disturbed, the eagles are likely to abandon their nest.

So just what is going on with the above photograph? Only this pair of eagles knows for sure. It’s quite possible that the eagle is simply sunning one of its wings. But for just this moment on Valentine’s Day, I’ll suspend reality and think romantically.


ABOVE: The photo was taken on the Chilkat River in the Alaska Chilkat Bald Eagle Preserve near Haines, Alaska. Photographed using a Nikon D3.Image capture: 1/1250 at f4.0, aperture priority exposure, -1/3EV, ISO 500

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Getting down with bald eagles

January 20, 2011 by John L. Dengler

Bald eagles (Haliaeetus leucocephalus) fight over a salmon carcass along the Chilkat River in the Alaska Chilkat Bald Eagle Preserve near Haines, Alaska. During late fall, bald eagles congregate along the Chilkat River in the Alaska Chilkat Bald Eagle Preserve to feed on salmon in what is believed to be the largest gathering of bald eagles in the world. (John L. Dengler)

I would like to share with you several tips I have found useful when photographing bald eagles at the Alaska Bald Eagle Preserve near Haines.

First, get as low to the ground as possible. In other words, put your camera on the same level as your subject (in this case a pair of fighting bald eagle in the photo above). This does several things. It usually cleans up your background, particularly when shooting with a telephoto lens. It also gives the viewer the same perspective that the bald eagle has making the photo feel more intimate. Sometimes, this means my lens is literally on the ground, requiring that I lay on the frozen ground. To stay warm (and somewhat clean), I’ll use a closed-cell foam backpacking sleeping pad. I like the accordion style as they pack small but are still long. The video below gives you an example of how low to the ground I sometimes set my camera and tripod. It also gives you a sense of the shooting conditions on the river.



Obviously, this position isn’t very good for flight photography. For flight photography, you’ll want to be standing up. In this case, you can use the backpacking sleeping pad to stand on to further insulate the bottom of your boots from snow and the cold ground.

I have found that I need to use a high shutter speed if my goal is to stop bald eagle action (fighting or flight). By high shutter speed, I mean really high — at least 1/1,600 of a second minimum. I’ve had better luck getting useable photos by keeping the shutter speed high, even if it means raising the ISO. Even on a bright sunny day, late fall-early winter light in Alaska is low on the horizon and is not as bright as it seems. Also I set the lens wide open or no more than one f-stop stopped down. This isolates the subject better, plus it helps with keeping the shutter speed high and ISO low.

When shooting birds in flight, pan with the bird before you start shooting and continue to pan while you are shooting and even after you stop shooting. This keeps your lens movement smooth. If your lens has a vibration reduction or image stabilization feature, turn it off if you are shooting above 1/1,000 of a second. Leaving it on slows down your frame rate and can degrade your image quality.

When considering lenses,  set the instant return focus button (if your lens has an instant return focus button) to focus on say a fish carcass on the river bank. Then you can change focus for other activity, but can instantly be back in focus on the fish simply by pressing the return focus button.

Use a remote shutter release when shooting static images like a bald eagle in a tree, or shooting a situation where you are prefocused on a subject in anticipation of action. This allows you to keep a tripod-mounted lens, particularly a telephoto lens, rock steady from movement. One warning — I’ve had the cable that goes from the camera to the remote trigger crack and break at the connector. The normally very pliable cable becomes terribly rigid in the cold conditions that I encounter. To help with this, I will coil the cable so there is less stress on it, and will use a wrapping of Velcro to attach the release to my tripod so the release isn’t swinging about when I move the lens and tripod combo.

I’ve heard that micro-adjusting the focus of your lenses can make a difference in critical focus situations, particularly when using a teleconverter. One of my “housekeeping” projects for the new year is to micro-adjust my lenses. When you micro-adjust your lens you are precisely setting how your specific lens focuses with a specific camera body.

Finally, be aware of your light. Since you can’t ask a bald eagle to move to get in better light, study where light falls through the day. I’ve found different locations on the river where the light is optimum at different times of the day. For example, the magic light time for one of my favorite spots on the Chilkat River is a surprising 11 a.m. to 12:30 p.m. On the other hand, don’t be afraid of bad light either. Sometimes, less than optimal light forces you to approach a photographic situation differently rewarding you with different photographs. The key in these situations is to be aware of what you doing and what the result is going to be in a normally bad light situation.


ABOVE: Bald eagles (Haliaeetus leucocephalus) fight over a salmon carcass along the Chilkat River in the Alaska Chilkat Bald Eagle Preserve near Haines, Alaska. During late fall, bald eagles congregate along the Chilkat River in the Alaska Chilkat Bald Eagle Preserve to feed on salmon in what is believed to be the largest gathering of bald eagles in the world.

Don’t shoot the bald eagles!

January 12, 2011 by John L. Dengler

(Slideshow of landscape photos from Haines Alaska)

It was easy to get caught up in photographing nothing but bald eagles during my recent trip to the Alaska Chilkat Bald Eagle Preserve near Haines, Alaska.  To get a sense of place, I would occasionally break away from the eagles and shoot landscapes . Subjects included the nearby Four Winds Mountain, and Takhinsha Mountains, Mount Jonathan Ward and Takhin Ridge which are popular heli-skiing destinations. All are visible from the Alaska Chilkat Bald Eagle Preserve.

For many of these “landscape” images I used my 600mm lens. A 600mm lens isn’t thought of as a typical lens for landscape photography but I found forcing myself to use it as one provide me with unique images that I might not have seen through more traditional landscape lenses.

During a layover in Juneau I was able to take advantage of a windless day at Mendenhall Lake at the foot of the Mendenhall Glacier to photograph reflections of icebergs. I have found the area to be windy during previous visits so I wasn’t going to let this opportunity pass. The stillness of the wind reflected the stillness of the scene. During the summer, thousands of cruise ship tourists visit the glacier every day. It’s a mad house then. During November, there was nary a sole.

While traveling on the Alaska State Marine Highway Ferry system back and forth between Haines and Juneau, I took advantage of the early evening light and the setting sun above the mountains and glaciers along the Lynn Canal of the Inside Passage. On my return trip to Juneau on the FV Fairweather I was especially lucky to photograph a rising full moon above the Herbert Glacier near Juneau.

A full moon rises above Mount Ernest Gruering and the Herbert Glacier near Juneau, Alaska as the final rays of the sun at sunset baths mountain tops in alpenglow light. The view is from the Alaska Marine Highway System ferry FVF Fairweather as it traveled down the Lynn Canal from Haines. (John L. Dengler)


TOP: Slideshow of landscapes from Haines and Juneau, Alaska. (Slideshow requires Adobe Flash).

ABOVE: A full moon rises above Mount Ernest Gruering and the Herbert Glacier near Juneau, Alaska as the final rays of the sun at sunset baths mountain tops in alpenglow light. The view is from the Alaska Marine Highway System ferry FVF Fairweather as it traveled down the Lynn Canal from Haines.

To license image, click image. To see our collection of fine art prints, click here.

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